"I'm a wicked woman, a lost woman

"I'm a wicked woman, a lost woman," she thought; "but I don't like lying, I can't endure falsehood, while as for HIM (her husband) it's the breath of his life--falsehood. He knows all about it, he sees it all; what does he care if he can talk so calmly? If he were to kill me, if he were to kill Vronsky, I might respect him. No, all he wants is falsehood and propriety," Anna said to herself, not considering exactly what it was she wanted of her husband, and how she would have liked to see him behave. She did not understand either that Alexey Alexandrovitch's peculiar loquacity that day, so exasperating to her, was merely the expression of his inward distress and uneasiness. As a child that has been hurt skips about, putting all his muscles into movement to drown the pain, in the same way Alexey Alexandrovitch needed mental exercise to drown the thoughts of his wife that in her presence and in Vronsky's, and with the continual iteration of his name, would force themselves on his attention. And it was as natural for him to talk well and cleverly, as it is natural for a child to skip about. He was saying:

"Danger in the races of officers, of cavalry men, is an essential element in the race. If England can point to the most brilliant feats of cavalry in military history, it is simply owing to the fact that she has historically developed this force both in beasts and in men. Sport has, in my opinion, a great value, and as is always the case, we see nothing but what is most superficial."

"It's not superficial," said Princess Tverskaya. "One of the officers, they say, has broken two ribs."

Alexey Alexandrovitch smiled his smile, which uncovered his teeth, but revealed nothing more.

"We'll admit, princess, that that's not superficial," he said, "but internal. But that's not the point," and he turned again to the general with whom he was talking seriously; "we mustn't forget that those who are taking part in the race are military men, who have chosen that career, and one must allow that every calling has its disagreeable side. It forms an integral part of the duties of an officer. Low sports, such as prizefighting or Spanish bull-fights, are a sign of barbarity. But specialized trials of skill are a sign of development."

"No, I shan't come another time; it's too upsetting," said Princess Betsy. "Isn't it, Anna?"

"It is upsetting, but one can't tear oneself away," said another lady. "If I'd been a Roman woman I should never have missed a single circus."

Anna said nothing, and keeping her opera glass up, gazed always at the same spot.

At that moment a tall general walked through the pavilion. Breaking off what he was saying, Alexey Alexandrovitch got up hurriedly, though with dignity, and bowed low to the general.

"You're not racing?" the officer asked, chaffing him.

"My race is a harder one," Alexey Alexandrovitch responded deferentially.

And though the answer meant nothing, the general looked as though he had heard a witty remark from a witty man, and fully relished la pointe de la sauce.

"There are two aspects," Alexey Alexandrovitch resumed: "those who take part and those who look on; and love for such spectacles is an unmistakable proof of a low degree of development in the spectator, I admit, but..."

"Princess, bets!" sounded Stepan Arkadyevitch's voice from below. addressing Betsy. "Who's your favorite?"

"Anna and I are for Kuzovlev," replied Betsy.

"I'm for Vronsky. A pair of gloves?"

"Done!"

"But it is a pretty sight, isn't it?"